Hello lovelies!!
I have something very special for you today.
There is a new section on the CoffeeFitnessUnicorn page.
Today I am introducing you to Gavin Gardiner in the Writer’s Corner.
Gavin’s debut novel comes out this Friday, April 9, 2021 and this is release week!!
Welcome to a new horror.
Writerās Corner
Meet Gavin Gardiner. Scottish gentleman, cat lover, and horror writer.
For Rye is Gavinās first published novel being released April 9, 2021
If You Could Describe For Rye in three words, what would they be?
Two of the most crucial elements in fiction are conflict and character change. Iād been particularly fascinated by the concept of character change for a long time, revelling in everything from Matthew Gregory Lewisās The Monk to Breaking Bad. Thereās something that truly resonates with us when a character undergoes a tangible transformation, and Iād began wondering whether I might be capable of writing a character that undergoes some radical psychological change in the context of a horror novel, and just how radical I might be able to make that transformation.
So yes, Iām tempted to be awkward and answer your question with: transformation, transformation, transformation.
Another word that might fit the bill would be ārebirthā. One of the main themes of the book is actually hidden in plain sight, in the main characterās name, no less. āRenataā comes from the Latin āRenatusā, which itself means āborn againā. My understanding is that it refers to spiritual rebirth, specifically baptism, the name being prevalent in ancient Rome where baptisms played an important social role.
Anyway, fire and water are both recurring motifs throughout For Rye, and without giving too much away to your readers, Renata goes through two figurative baptisms: one in a very significant (and grisly) scene in a graveyard under torrential rain, and the other in another crucial scene involving fire. The two baptisms Renata goes through ā which are both pivotal moments in her transformation ā are via the polar opposite elements of fire and water, which is meant to represent the moral complexity of her transformation: if a traditional water baptism is āgoodā, then a fire baptism may be seen as ābadā, therefore we already have a hint that Renataās transformation isnāt going to be entirely wholesome, and most likely steeped in both ābadā and āgoodā; fire and water.
To summarise, I guess the three words I would choose to describe For Rye would be: ātransformationā, ārebirthā, and āfucking gruesomeā.
Damn, thatās four.
How Did This Refreshing Book Come About?
Well, as I mentioned before, my fascination with character change played a pretty big role in the decision to write this book. But there was another factor, without which my musings of transformation would never have been enough for this novel to come into existence.
My friend and film analyst Ewan Rayner has spent countless evenings with me discussing and dissecting story, character, plot, and everything else that goes into a compelling movie or novel. Heās repeatedly put me to shame with his encyclopaedic knowledge and insights, but he also coaxed the flames of my obsession with story until a book just had to be written. I canāt put into words how much Iāve learnt from him, but Iām confident that For Rye would never have happened had those endless evenings of discussion never taken place.
Iād encourage budding writers of all genres to grab every opportunity they can to discuss their craft with someone equally as passionate as they are. You can read all the books in the world, watch all the films, gorge upon every textbook on structure and technique, but if you donāt apply all that information by way of stimulating conversations and debates about all things writing, then youāll never truly understand the information. As Bruce Lee said: āKnowing is not enough, we must apply.ā
So this book came about from exactly these kinds of stimulating conversations and debates, and I have Ewan to thank for that. Iām glad you found For Rye so refreshing, and I have to believe that this freshness was also a result of everything I learnt from him. So yeah, cheers to Ewan!
What Is The One Thing You Want Us To Be Left With From For Rye?
Having read the novel, you yourself know that this aināt a happy story. It was never my intention to give readers a morally fulfilling experience, or to make them feel all warm and fuzzy inside. Iāve had enough of that. I knew the patterns and tropes and structure into which most of the horrors Iāve read slot, and although Iām probably a fool for going against the grain, I wanted above all else to shake my readers.
Personally, I find For Rye disturbing. Iāve read books that are more explicit and graphic, but I still find my little nightmare extremely hard going. I want this novel to disturb you as much as it disturbs me, if only by its abandonment of certain established patterns of modern fiction. Maybe what shakes me most about For Rye is its moral uncertainty; the fact that throughout the book āgoodiesā, in the traditional sense, have the capacity to turn into ābaddiesā, and baddies into goodies. It is my hope that youāre pulled out of your comfort zone and reminded that the spectrum of good and evil is a slippery one.
If reading For Rye shakes you as much as writing the thing shook me, then Iāll sleep easy.
Follow Gavin on his social media pages and sign up for his newsletter on his website:
https://gavingardinerhorror.com
https://www.instagram.com/ggardinerhorror/
https://www.youtube.com/channel/UCS9lVOrizVkuHbOzX2OFQCg
I had the pleasure of beta reading āFor Ryeā and was blown away by the freshness of the prose, the originality of the story, and the classic gothic and horror elements. I was hooked instantly by Gavinās words.
In a few months we will do another IG Live to discuss All Things For Rye.
Joins us again as we deep dive into Gavin’s “little nightmare.”
One response to “Writer’s Corner Tab is Up”
Thanks for the interview! Definitely adding this title to my “to-buy” list.